figbert.com-website

[ACTIVE] the website and home of figbert on the clearnet
git clone git://git.figbert.com/figbert.com-website.git
Log | Files | Refs | README | LICENSE

commit df01b20acddd32b467512296f0b262e13e027ed5
parent 72605f9eb1282e84d09ad74fdab66bc23e10fbeb
Author: FIGBERT <figbert@figbert.com>
Date:   Sat, 14 Dec 2024 14:03:09 -0800

Add Waking Lions review

Diffstat:
Mcontent/reading/illusion-of-return.md | 10++++++----
Acontent/reading/waking-lions.md | 290+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
2 files changed, 296 insertions(+), 4 deletions(-)

diff --git a/content/reading/illusion-of-return.md b/content/reading/illusion-of-return.md @@ -1,6 +1,7 @@ +++ title = "The Novel of Palestinian Disillusionment" date = 2024-11-01T17:25:51-07:00 +updated = 2024-12-14 [extra] book = "The Illusion of Return" author = "Samir El-Youssef" @@ -10,10 +11,10 @@ rating = "★★★☆☆" **Author's Note:** I write everything in a conversational tone, so I doubt anybody reading this will notice much difference, but this review -was originally a presentation. It is one of two I will give in Russell -Berman's wonderful [Zionism and the Novel]. It was first written in [iA -Presenter]. The title I have given the review here on the website was -taken from our syllabus. +was originally a presentation. It is one of two I gave in Russell +Berman's wonderful [Zionism and the Novel], the second of which [you can +read here]. It was first written in [iA Presenter]. The title I have +given the review here on the website was taken from our syllabus. ## Let's begin ~~Alright close your laptops and let's do this for real.~~ To get you up @@ -218,6 +219,7 @@ reconcile this position with the reality of Israel—a return that worked? What, if anything, makes the case of the Jews different? [Zionism and the Novel]: https://explorecourses.stanford.edu/search?q=COMPLIT37Q +[you can read here]: @/reading/waking-lions.md [iA Presenter]: https://ia.net/presenter [HISTORY81B]: https://explorecourses.stanford.edu/search?q=HISTORY81B [*The War of Return*]: @/reading/war-of-return/index.md diff --git a/content/reading/waking-lions.md b/content/reading/waking-lions.md @@ -0,0 +1,290 @@ ++++ +title = "The Detective Novel: Interior Life and Refugees" +date = 2024-12-14T13:53:42-08:00 +[extra] +book = "Waking Lions" +author = "Ayelet Gundar-Goshen" +finished = 2024-11-28 +rating = "★★★★☆" ++++ + +**Author's Note:** I write everything in a conversational tone, so I +doubt anybody reading this will notice much difference, but this review +was originally a presentation. It is the second of two I gave in Russell +Berman's wonderful [Zionism and the Novel]. It was first written in [iA +Presenter]. The title I have given the review here on the website was +adapted from our syllabus. You can read a similar transcript of the first +presentation I gave in my review of [The Illusion of Return]. + +## A Brief Something to Note Before We Begin +Ayelet Gundar-Goshen is at Stanford! She's a lecturer and +artist-in-residence at the Taube Center for Jewish Studies. I met her on +Tuesday. And, her most recent novel is set in Palo Alto and deals with +similar themes to the book we're discussing today. + +Which are what? + +## What is this book about? +Nominally, it's something of a murder mystery. But unlike a typical +murder mystery, we the reader know "whodunnit" the whole time. + +So perhaps it's closer to a different genre that I'm quite excited about +because I just really solidified its existence in my mind recently: a +thriller. We know the great secret, and we're watching its consequences +unravel and spread out. + +There are aspects of a drama here. We have family dynamics on display, +with subelements of romantic, paternal, and maternal relationships. +There are career struggles: the rising star banished to the desert, and +now with his secret double-life (though this doesn't get too much focus) +he's even on the edge of getting fired from this provincial post. And in +a true return to form for this class there's the possibility of an +affair. + +But dive beneath this upper crust of the text, and you can see that the +novel has profound political implications. Because this is a book that +is, at its core, about gray areas. + +> That one battered Eritrean had called her an angel and one +> grief-stricken Bedouin had called her a devil, and that both of them +> were wrong, had to be wrong. Because neither angels nor devils +> existed. Of that Eitan was convinced. People existed. + +Here, Ayelet discusses impurity of character, that no person can fit +neatly into the fantastical archetypes of angel and devil. Sirkit is no +angel—she is, among other injustices, forcing the doctor into this +illegal practice against his will—but is no devil either—that same +illegal hospital has saved real human lives. + +> People generally assumed that someone like him had made a choice +> somewhere in the past... One road turned right. The other left. If he +> turned right, he’d choose evil. If left – good. The directions +> themselves weren’t important. What was important was the crossroads; +> that is, the existence of the moment when a person stands before two +> clear, opposing paths and chooses one over the other. + +This passage comes in a deeply fascinating portion of the book: a +section dedicated to exploring the history of a very bad man. The +Eritreans Eitan encounters all work at a restaurant, and the owner of +that restaurant is a drug-pusher, abuser of their cheap labor, and a +rapist. Not a good man. The author has this to say about him. + +She then says that this is false. That good and evil are not like a +crossroads. That they're like "goat paths," winding and overlapping +trails that snake through the desert, taking a patient and trained eye +to separate them from the windings of rocks and sands the wind naturally +forms. There's no one choice: we are just meandering on goat paths that +at one point or another may align with our paradigms of good and evil, +black and white. + +This is expressed in the text through the issue of + +## Intercommunal Relations +And specifically, the Eritrean refugee issue in Israel and the +overlapping layers that exposes within society. + +We witness a few different communities in the text, and I think it's +super fascinating to break them down. + +### The Communities +1. Jews + 1. Ashkenazim + 2. Mizrahim + 3. Ethiopians +2. Eritreans +3. Bedouins +4. Egyptians + +What makes it super fascinating is that **all of these groups** are +perpetuating complex and interleaving harms on **all of the groups**. +Ayelet leaves none out, it's fantastic. + +Bottom-up: + +1. The Egyptians enforce the border with Israel on their side. They + shoot at Eritreans trying to cross over illegally by foot, as all + Eritreans in Israel do, which is the genesis of the popular joke + referenced in the novel that the Eritreans are the "world champions + of the 500-meter race," so named after the range of Egyptian rifles. + These are Arabs, who speak Arabic, shooting at Africans trying to + enter Israel to achieve the Afro-Asiatic equivalent of the American + Dream. +2. The Bedouins are a different and distinct Arab people. They live in + Israel, one of three major Arab communities also including the + Arab-Palestinian-Israelis and the Druze. Due to their migratory + way of life, they live in corrugated metal semi-temporary structures + largely outside both the protection and supervision of the State. In + this book, they aggravate the Egyptians by acting as smugglers of + Eritreans across the border, the Eritreans by perpetuating abuses + against them both on the journey from Africa to Asia and after in + Israel—exploiting their more established status in Israeli society to + beat down on them—as well as the Jews by running a significant, + often-violent criminal element in the desert. + + > They don’t help us and we don’t help them. + + This is Sirkit commenting on the relationship of the Eritrean and + Bedouin communities. The Jewish-Bedouin frustration can be seen in + the commentary of the police, which is consistently negative, and + specifically the easy dismissal from the get-go that Asum's + death—which sparks the conflict of the novel—was probably done by + some random Bedouin and thus unsolvable. A nameless victim and a + nameless murderer, both members of transitory and peripheral + communities. +3. The Eritreans—and this is important—are African, so really the only + people from a context removed from the Middle East, but they are + Arabic-speaking Muslims. They have a distinct culture, and another + language (Tigrinya), but they are also culturally compatible and + mutually intelligible with the Bedouins and the Egyptians. Their + transgression toward the Jews and the Egyptians is the same: + territorial violation, though to the latter it is significantly more + temporary. The Eritreans are imposing themselves on unwilling hosts. + Against the Bedouins, they have a different sort of territorial + transgression, and that's of class territory: they have taken up + residence in the bottom rung of society, alongside the Bedouin, + forcing them to share a conceptual (and occasionally physical) space + that once they had full control over. +4. And of course the Jews. I've highlighted three important subdivisions + of the Jewish community in Israel here to acknowledge that there is, + in addition to the inter-communal harm we're discussing, also + intra-communal harm as well, but actually primarily to emphasize the + following: in Israeli society, Mizrahim are considered Jews, not + Arabs, and Ethiopian Jews are considered Jews, not + Africans/Eritreans. There is visual similarity frankly between all of + these groups, but it's important to note that group dynamics don't + play out according to the Western conception of similarity. + + > Both were Arabs, so they were identical. Both aroused a combination + > of wariness and shame in her. First wariness, then shame. Their + > dark faces, which actually resembled the faces of the people she’d + > grown up with, and yet looked different.... She didn’t like feeling + > that way, but it was how she felt. That they had less intelligence + > and more hatred. That they were pathetic because they’d lost, but + > more dangerous because of it, and even though that seemed + > contradictory, it actually wasn’t. Like a dog you’ve beaten that + > you now both ridicule and fear. An Arab dog. + + This is Liat, a Mizrahi Jew, talking about Arabs. + + The Jews perpetuate harm on the Egyptians in the obvious way, and vice + versa. Against the Bedouins by their inadequate accommodation of their + lifestyle in the workings of the State. And against the Eritreans + through deportation and their status as illegal aliens. + +Everyone is harming each other. It's not simple. None of these groups +are good guys, and none are bad guys. That Ayelet is able to capture +this so thoroughly is a testament to her ability. It is a message we +desperately need. + +## Side Explorations +There are, in addition to this core track, also some very cool tangents +in Waking Lions. + +### Relationships +Ayelet contrasts in the text two models of marital relationship: that of +Sirkit and Asum with that of Liat and Eitan. + +Sirkit and Asum's relationship takes place entirely before we, the +reader, arrive but we get a pretty good understanding of it by the end. +They had three kids back in Eritrea, two of whom died in childbirth and +one of whom was killed by a soldier, perhaps while they were fleeing or +in an act that instigated their emigration. Asum has, since the +inception of the relationship, been physically abusive. He both hit +Sirkit consistently and would burn her with cigarette butts. When Asum +was hit by Eitan in his car, he had taken Sirkit out to beat her in the +desert. Sirkit resented him, and is somewhat happy that he died, while +also resenting Eitan in some capacities for having the gall to remove +her agency from her liberation. + +I haven't finished my own thinking and thesis-generation on Liat and +Eitan, because I think it's bigger than just this text: I think Liat and +Eitan have an explicitly paradigmatic Zionist relationship. Israel is a +deeply family-oriented country. The statistic that's often cited here is +that it's the only highly-developed country with a birth rate well above +the replacement rate, but I think it goes far beyond numbers. (Though +while we're talking numbers Israel also does by far the most IVF of +anywhere in the world, by a factor of I think 2-3 times.) Marriage and +children are a huge aspect of Israeli society, mile-markers on the +Israeli path through life, and I want to do more research on this to +find its instigation. It's here that I actually disagree with the +previous presenter's analysis of Liat and Eitan's relationship, and +define the exact dynamic that I think defines the Zionist relationship: +the previous presenter alleged that Liat dominated the relationship, +perhaps due to her detective's tendencies to know everything about +everyone, and that Eitan's feelings toward Sirkit were his searching for +freedom from this domination. I would counter that's it's the +opposite—their relationship is one of mutual, total dedication. + +> Liat’s eyes changed constantly.... And for almost fifteen years he had +> been judging himself by the scales of justice in those eyes. A measure +> of right and wrong unmatched in its precision. + +> She could say in total honesty that she still loved her man. And he +> loved her.... Embarrassing incidents might happen to other couples, +> but not to her and Eitan. + +The reason why Eitan is so devastated by the total upheaval of his life +is not because of the legal consequences of revealing what was +transpiring, but because he was terrified to his core that Liat would +look at him differently. It happens later in the book when she flees to +her mother's house, but is then repaired. The reason with Liat is so +devastated by the estrangement of her husband is because of the huge +role he plays in her own narrative of her life. + +There is also perhaps a lens one could apply to these two relationships +that involves national development and increasing rights/modernity, +paralleling Eitan's perception of the Eritreans as less-than, but given +that the differences in their relationship are written as true and not +just perceived, I think that's a dead end. + +### Lions +I had a moment while reading the book like when a character in a movie +turns to the screen and says "What are we, some kind of Suicide Squad?" +and so I went back through the book and picked out what I figured to be +important references to this figure that appears in the title. + +> She knew that any other woman would have started checking up on him +> long ago. And she knew that she, who checked up on and investigated +> others on a daily basis, she, of all people, would never do that. She +> wasn’t willing to look at him with those eyes of doubt. To look for +> signs, traces. She wasn’t willing because if she began doing that now, +> she wasn’t sure she would be able to stop later. On safari in Kenya, +> after their wedding, the guide had told them that once a lion tastes +> human flesh, it won’t ever want to hunt anything else. Perhaps it +> wasn’t true, just a story for tourists, but her lioness’s instincts +> knew there was no greater temptation, no hunt more tantalizing, than +> the ambush of your loved ones. + +> Lions roared inside him all night. He turned onto his side. Tried to +> think about Itamar, about Yaheli.... When she finally lifted the +> blanket and lay down beside him in the long chaos of the night, he +> drowned in the blue-black of her hair and kissed her silent lips, and +> he didn’t think about angels or devils. Or about people either. + +In the first quote, the lion is Liat's investigatory instincts, which +she refuses to turn inwards on her own family. In the second, the lion +is Eitan's adulterous desire for Sirkit. + +## A Question + +> Because that which hath been is that which shall be, and today, like +> yesterday, the earth would carry on... + +Here, Eitan observes after hitting Asum in his SUV how the world hasn't +left its axis. The rest of the book ensues, and then ends with the quote +below: + +> How beautiful the earth is when it moves properly. How pleasant to +> move with it. To forget that any other movement ever existed. That a +> different movement is even possible. + +Ultimately, our protagonist Eitan escapes from his crimes unpunished. +Asum's murder goes unsolved, as does that of the restaurant owner. Eitan +is made famous in the media as a doctor who volunteered to help the +refugee community, perhaps illegally but certainly nobly. + +How do you interpret Eitan's ultimate judgement, or lack thereof? + +[Zionism and the Novel]: https://explorecourses.stanford.edu/search?q=COMPLIT37Q +[iA Presenter]: https://ia.net/presenter +[The Illusion of Return]: @/reading/illusion-of-return.md