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waking-lions.md (17873B)


      1 +++
      2 title = "Waking the Public to Waking Lions"
      3 date = 2024-12-14T13:53:42-08:00
      4 updated = 2024-12-14T15:48:19-08:00
      5 [extra]
      6 book = "Waking Lions"
      7 author = "Ayelet Gundar-Goshen"
      8 finished = 2024-11-28
      9 rating = "★★★★☆"
     10 +++
     11 
     12 **Author's Note:** This review is an adaptation of the final paper I
     13 wrote for Russell Berman's wonderful [Zionism and the Novel]. For
     14 another artifact of my work in the class, check out my review of [The
     15 Illusion of Return].
     16 
     17 ## Abstract
     18 This paper seeks to investigate Ayelet Gundar-Goshen’s novel Waking
     19 Lions as a work of engaged literature. A thorough analysis of her
     20 writing is conducted to extract the specific political positions she
     21 advocates. The analysis of the political commentary contained in her
     22 fiction is then paired and contrasted with contemporary anthropological
     23 scholarship on the issue of Eritrean migrants in Israel to build a
     24 deeper understanding of the context in which the book was created and
     25 where it now stands, approaching a decade after publication. The paper
     26 ultimately claims that Gundar-Goshen’s writing opens a wide view into
     27 the everyday strife and overlapping conflicts and harms of Israel’s
     28 myriad communities and urges a remediation of the Eritrean migrant
     29 crisis in Israel through integration and acceptance. The novel’s framing
     30 places the issues at the core of the text beyond the scope of the
     31 question of Zionism: rather, the continued implementation of Zionism is
     32 what has given rise to the status quo, thus necessitating Gundar-Goshen
     33 look beyond the philosophy—toward human values and compassion—to find
     34 the source of the mandate to aid the Eritreans.
     35 
     36 This dissection of Waking Lions is important precisely because the book
     37 has been treated as an unimportant work by the scholarly community. The
     38 text doesn’t touch the question of the Palestinians, and thus is
     39 sidelined. But just as is seen with the communities in the book, nothing
     40 is black and white: Israel is more than its conflict with the
     41 Palestinians. Waking Lions’ unflinching spotlighting of the myriad
     42 internal issues faced by the diverse Israeli polity make it one of the
     43 most important texts to come out of the country in recent years.
     44 
     45 ## The Text as an Engaged Work
     46 Waking Lions is not only engaged literature insofar as all texts are
     47 engaged literature, dealing with subjects that are covered by the broad
     48 tent of political opinion, but instead goes above and beyond in
     49 provoking a political conversation around, and interrogating the
     50 political ramifications and engagements of, the Eritrean refugee issue
     51 in Israel. This is by design. Gundar-Goshen’s intention in creating this
     52 work of fiction was to make her political lamentations appear more
     53 compelling to a broader audience by disguising them in the contours of
     54 characters with depth and dimension and emotion that readers can
     55 recognize from their own lives. A political diatribe with specific
     56 policy criticisms and recommendations will only be consumed by a very
     57 specific subset of people. A work that engages more directly with the
     58 universal instinct of storytelling can better evangelize its message.
     59 This is how Waking Lions was crafted from its inception.
     60 
     61 An important component of Waking Lions’ political engagement is the
     62 length to which Gundar-Goshen goes to impress upon the reader the
     63 physical realities of Eritrean migrants in Israel, seeking to highlight
     64 their suffering through its personification in the character of Sirkit.
     65 Sirkit, the Eritrean woman at the center of the novel, is a complex
     66 figure—at once despised for her manipulations of Dr. Eitan Green and yet
     67 seemingly using her Machiavellian abuses for the betterment of the lives
     68 of overlooked refugees. It is only after forming a relationship with
     69 Sirkit that the reader is introduced to the details of her living
     70 conditions: a caravan, one cramped room filled with 8 mattresses and
     71 dirty dishes, parked behind the gas station where its residents
     72 work.[^1] Sirkit herself scrubs floors during the day. None of the
     73 Eritreans who cram themselves together into the caravan to sleep on the
     74 floor night after night are paid the minimum wage nor given the
     75 traditional benefits of employment. Additional emotionally difficult
     76 information is held even further, with the reasons for Sirkit’s flight
     77 from Eritrea hinted at only in the very last chapter of the novel. Here,
     78 in her internal monologue, she refers to the African nation as “the land
     79 of the dead children.”[^2] She reflects on a “well near the village that
     80 one day, simply had no more water,” on soldiers that stole their flour,
     81 on the trek over land to Egypt, on abusive Bedouin smugglers, and on
     82 Israel, the place where “she stopped. From [which] she would not
     83 move.”[^3] The strategic delay in the delivery of this information is
     84 done to counter the jaded desensitization of the receiving audience.
     85 There is the age-old adage: “one death is a tragedy, a million is a
     86 statistic.” By giving the physical conditions of the Eritreans a
     87 familiar face in the form of Sirkit, the theoretical plight of a people
     88 is turned into the tangible plight of a person.
     89 
     90 Beyond the individual suffering, the systemization of the Eritrean
     91 struggle in the Jewish State is given an embodied form in the text
     92 through Eitan’s visit to the Holot Detention Center. Having come to
     93 visit Sirkit, Eitan looks out across the vast desert yard and observes:
     94 “Any one of those people could be Sirkit.”[^4] This is an explicit
     95 declaration of the above determination that Sirkit is a stand-in for the
     96 plight of Eritreans in Israel more broadly—Gundar-Goshen states that
     97 Sirkit is equivalent to the other Eritreans in Holot, and thus that all
     98 the detainees are as human as the book has portrayed her to be. It is
     99 also a further description of the dehumanization that Eritreans are
    100 subjected to at the hands of the Israeli government. Eitan continues:
    101 “They looked as alike as a herd of sheep. Of cows…. When he looked at
    102 them together, a crowded collection of bodies, he felt that they had
    103 lost every drop of selfhood, and all the small differences that made
    104 each of them who they were had been eclipsed by that large mass of
    105 identical flesh… the overcrowded space stripped them of their
    106 personalities and made them a single entity—Eritrean women…. They were
    107 Eritrean women waiting to be deported…”[^5] In his brief visit to the
    108 Holot Detention Center, Eitan is used as a tool to convey the banal
    109 brutality of the destruction of Eritrean individuality in the national
    110 system.
    111 
    112 The ultimate resolution of the book’s moral challenge through Sirkit and
    113 Eitan’s deception reveals Gundar-Goshen’s preference for how to resolve
    114 the political quandary of Eritrean migrants in Israel. The roiling truth
    115 of the story behind the illegal hospital in the desert—Eitan’s initial
    116 crime of vehicular manslaughter, Sirkit’s blackmail, the robbery of
    117 hospital materials, peripheral involvement with the Bedouin criminal
    118 underworld, hints of adultery, and everything else that ultimately
    119 comprises the narrative of Waking Lions—is smoothed over. Sirkit does
    120 this of her own initiative. Speaking with Eitan’s wife, Liat, she papers
    121 over the reality of the situation that had brought his family and
    122 marriage so close to collapse: “Before the Bedouins had surprised them,
    123 Eitan had gone to treat her injuries. He’d left Yaheli’s bed and driven
    124 two and a quarter hours to get there. Only an angel would do something
    125 like that.”[^6] With the full context Gundar-Goshen provided during the
    126 action, the additional layers are revealed. Eitan drove down to perform
    127 the surgery in part because of his romantic feelings toward Sirkit as
    128 well as her continued power over him due to the potential for her
    129 testimony. But in the end this is resolved—his service to the Eritreans
    130 is simplified: “He felt guilty about the silence she had imposed on him
    131 concerning Zakai’s bribes. He wanted to atone…. It was illegal. And
    132 dangerous…. And [Liat] realized suddenly why he had been so interested
    133 in the investigation of that Eritrean’s death. Those people weren’t just
    134 a newspaper article for him. He knew them. He was helping them.”[^7]
    135 Gundar-Goshen does briefly broaden the scope to include some of the
    136 other narratives in Israeli discourse, describing a café scene after
    137 Eitan and Sirkit’s revisionist story hits the news: “Several people
    138 began arguing. We can’t have all of Africa coming here. If those
    139 bleeding hearts have their way, we’ll end up without a country.”[^8] But
    140 this broadening is done primarily for the purpose of foregrounding the
    141 opposite narrative—her narrative— as expressed by a woman who approaches
    142 Eitan to say, “We need more people like you in this country.”[^9]
    143 Through Liat’s acceptance of the morality of her husband’s actions and
    144 the Israeli public’s endorsement, Gundar-Goshen lends her own voice to
    145 the idea that Eritreans in Israel should be accepted, appeased, and
    146 integrated. Her political preferences, expressed through these varied
    147 characters, are paired with an additional pithy quip, a sort of
    148 condemnation of the idea that the hard work her politics would mandate
    149 can be ignored. It is the final line in the novel, and it comes from the
    150 mind of Eitan Green, newly freed to return to his old life
    151 and—apparently—bury his head in the sand: “How beautiful the earth is
    152 when it moves properly. How pleasant to move with it. To forget that any
    153 other movement ever existed. That a different movement is even
    154 possible.”[^10]
    155 
    156 ## Clashing Against Reality
    157 Gundar-Goshen’s political commentary through Waking Lions of course
    158 exists in the context of Israeli reality. This has continued to evolve
    159 quite rapidly in the seven years since the publication of her work of
    160 engaged literature. As recently as last year, there was violence in the
    161 streets of Tel Aviv between different Eritrean factions resulting in the
    162 injury of over 100 individuals as well as significant arrests. The
    163 conditions in Eritrea that led so many to choose “liminality in Israel
    164 over forced conscription (often until death) in Eritrea or ethnic
    165 cleansing by Arab groups in Darfur” are the same or worse as they were
    166 at the time Gundar-Goshen released her novel to the world.[^11] Migrants
    167 largely remain in limbo, governed under the conflicting mandates of the
    168 Prevention of Infiltration Law and the 1951 Refugee Convention.
    169 
    170 Aspects of Gundar-Goshen’s humanitarian ideology have received broader
    171 adoption. The Holot Detention Center, a location that played a
    172 significant role in the psyche of the Eritreans of Waking Lions, was
    173 shuttered in 2018.[^12] The Deposit Law, which mandated 20% of asylum
    174 seekers’ salary be deposited in a bank account only accessible at the
    175 airport when leaving the country, was struck down by the Israeli Supreme
    176 Court in 2020.[^13] Eritreans have developed their own community
    177 centers, educational structures, and institutions that “attest to the
    178 agency of the… community in Israel.”[^14] Migrants are building lives in
    179 the country, living on visas that need renewal every 2-3 months.[^15]
    180 This itself is a massive political victory for Gundar-Goshen’s school of
    181 thought: as Waking Lions conveys, the daily lives “of Eritreans in
    182 Israel are not apolitical.”[^16] Their continued existence in Israel is
    183 a testament to the political success of the ideology expressed in
    184 Gundar-Goshen’s work of engaged literature.
    185 
    186 In spite of these developments, Israeli society remains broadly hostile
    187 to the presence of the Eritrean migrants in precisely the ways that
    188 Gundar-Goshen opposed in Waking Lions. The country is governed by an
    189 extreme right-wing coalition which harbors significant anti-Eritrean
    190 sentiment, though internal and external factors have made continued
    191 attempts to address the migrant crisis low on its list of priorities.
    192 The anti-migrant position resulted in the Prime Minister reneging on a
    193 negotiated settlement with the UN refugee agency to give permanent
    194 status to around half of asylum seekers in Israel in exchange for
    195 resettling the other half in other countries.[^17] Such a compromise was
    196 perceived as too soft and harshly criticized. Integration of Eritrean
    197 migrants as full members of the Israeli polity, as citizens, is
    198 perceived as undesirable. Emigration is encouraged, and the mass
    199 departure of Eritrean migrants remains the state’s preferred outcome.
    200 
    201 The specific interplay of the international system in the Eritrean
    202 refugee crisis in Israel is a particularly rich topic for dissection. In
    203 many ways, the sovereign Israeli system is set up in direct opposition
    204 to the presence of Eritrean migrants, but is countered by international
    205 refugee law that exists “precisely because states are often inclined to
    206 act differently than how the law prescribes.”[^18] The particularly
    207 proactive role that international governance plays in the day-to-day
    208 experience of Eritrean migrants in Israel is made greater by the
    209 already-enhanced focus of the international community on the Jewish
    210 nation—a fact which the community has at times used to its advantage.
    211 Eritrean society is not traditionally organized around the concept of
    212 race or color, but rather ethnolinguistic groups and tribal
    213 affiliation.[^19] In most migratory scenarios, individuals who may be
    214 racialized as Black “attempt to highlight their immigrant background or
    215 national origin to escape negative stereotypes” associated with this new
    216 identity.[^20] The Eritrean community in Israel has become an exception
    217 to this trend, opting to make the strategic decision to self-identify as
    218 “Black.” This particular language is intended to garner support from
    219 abroad by contextualizing the experience of Eritrean migrants in Israel
    220 in a foreign framework, so as to make it more intelligible in the
    221 international arena and increase pressure on the Israeli state to halt
    222 deportations. The role of nonnative forces in the Eritrean-Israeli
    223 crisis goes largely undiscussed in Waking Lions, to its detriment.
    224 
    225 ## Conclusions
    226 Ayelet Gundar-Goshen’s Waking Lions paints a colorful picture of a
    227 pressing, contemporary Israeli issue, presenting the reader with a clear
    228 call to action through its expert personification of the problem. The
    229 narrative is thoroughly grounded in modern Israel, making the
    230 intentional decision to place the question of Zionism squarely in the
    231 past. The Jewish State already exists—Gundar-Goshen’s narrative
    232 interprets the Eritrean migrant crisis within its borders as a question
    233 to be answered by the generic State portion of the Zionist dream, not
    234 the Jewish (and by extension Zionist) part. The novel implores its
    235 audience to take action to embrace and integrate Eritreans into the
    236 fabric of Israeli society. Its detailed description of the suffering of
    237 the migrant community, in desperate poverty and constant fear of state
    238 action, is gracefully described with its day-to-day complexities—its
    239 members are not pure good, nor evil—while ensuring that it is clear that
    240 such suffering is a moral failing of the state. Gundar-Goshen believes
    241 this can be solved.
    242 
    243 It is in turn a failing of the scholarly community that this is the
    244 first paper to seriously engage with Waking Lions. The discussion of
    245 international conflicts, and their portrayal in literature, is flashier.
    246 Such analysis allows the author of a paper to connect with the oldest of
    247 human traditions: myths of wars and conquests waged throughout the eons.
    248 It is, bluntly, dramatic and fun. In the Israeli context in particular,
    249 there is no shortage of conflicts and fictions about them to dissect;
    250 the Palestinian issue in particular provides a sure and stable base for
    251 study. It is, however, a poor academic that allows themselves to fall
    252 prey to sampling bias. Israel is far more than its conflict with the
    253 Palestinians. Indeed, for the Eritreans under constant threat of
    254 deportation—and, for that matter, Dr. Eitan Green—the matters
    255 highlighted in Waking Lions take precedence. The dialogue in this work
    256 of engaged literature must be given space, instead of letting the
    257 Palestinian issue take all the oxygen. With an opportunity to thrive, to
    258 engage with and impact a large audience, Gundar-Goshen’s novel could
    259 catalyze real progress on one of Israel’s most serious internal
    260 conflicts.
    261 
    262 ---
    263 
    264 [^1]: Ayelet Gundar-Goshen, *Waking Lions* (London: Pushkin Press,
    265       2017), pt. 2 chap. 3.
    266 [^2]: Ibid., pt. 2 chap. 16.
    267 [^3]: Ibid.
    268 [^4]: Ibid.
    269 [^5]: Ibid.
    270 [^6]: Ibid., pt. 2 chap. 15.
    271 [^7]: Ibid.
    272 [^8]: Ibid., pt. 2 chap. 16.
    273 [^9]: Ibid.
    274 [^10]: Ibid.
    275 [^11]: David Clinton Wills, "A Home at the End of the World: Eritrean
    276        and Sudanese Asylum Seekers in Tel Aviv, Israel," *Sanglap:
    277        Journal of Literary and Cultural Inquiry* 3, no. 2 (2017):
    278        321-349,
    279        [https://sanglap-journal.in/index.php/sanglap/article/view/223][sanglap].
    280 [^12]: Ibid.
    281 [^13]: Itamar Dubinsky, "Digital Diaspora: Eritrean Asylum Seekers'
    282        Cyberactivism in Israel," *African Diaspora* 12, no. 1-2 (2020):
    283        89-116: 10.1163/18725465-bja10002
    284 [^14]: Ibid.
    285 [^15]: Clinton Wills, "A Home at the End of the World"
    286 [^16]: Dubinsky, "Digital Diaspora"
    287 [^17]: James Yap, Hilina Fessahaie, and Enbal Singer, "Populism's Global
    288        Impact on Immigrants and Refugees: The Perspective of Eritrean
    289        Refugees in Europe and Israel," *Maryland Journal of
    290        International Law* 35 (2020): 189-201
    291 [^18]: Dubinsky, "Digital Diaspora"
    292 [^19]: Amanuel Isak Tewolde, "Becoming Black: Racial Formation of
    293        Eritrean Migrants in Israel," *African Diaspora* 13, no. 1-2
    294        (2021): 183-203, 10.1163/18725465-bja10006
    295 [^20]: Ibid.
    296 
    297 [Zionism and the Novel]: https://explorecourses.stanford.edu/search?q=COMPLIT37Q
    298 [The Illusion of Return]: @/reading/illusion-of-return.md
    299 [sanglap]: https://sanglap-journal.in/index.php/sanglap/article/view/223